Exhibition

our shallow psychic death

Simone DeSousa Gallery, Detroit

June 4 – July 10, 2016

Installation views

our shallow psychic death installation overview
Installation view
our shallow psychic death installation view
Installation view
our shallow psychic death installation view
Installation view
our shallow psychic death installation view
Installation view
our shallow psychic death installation view
Installation view
our shallow psychic death installation view
Installation view
our shallow psychic death installation view
Installation view
our shallow psychic death installation view
Installation view
our shallow psychic death installation view
Installation view

Individual work documentation

Individual work from our shallow psychic death
Untitled
Individual work from our shallow psychic death
Untitled
Individual work from our shallow psychic death
Untitled
Individual work from our shallow psychic death
Untitled
Individual work from our shallow psychic death
Untitled
Traces, 2016
Traces, 2016
Individual work from our shallow psychic death
Untitled
Petrified Troll, 2016
Petrified Troll, 2016
Petrified Troll detail
Petrified Troll, detail
Individual work from our shallow psychic death
Untitled
Individual work from our shallow psychic death
Untitled
Individual work from our shallow psychic death
Untitled

our shallow psychic death brought together paintings and sculptures in which figuration repeatedly approaches disappearance. Faces, bodies, signs, and ordinary objects remain legible, but only through surfaces that obscure, abrade, or interrupt them.

The paintings hold recognizable images inside dense fields of black, green, white, and red. The sculptures extend the same instability into the room: figures and domestic forms appear damaged, provisional, or caught between use and representation. Across both media, the exhibition treats recognition as a material event rather than a secure fact.

Presented in Detroit in 2016, the exhibition marks a point at which Swanson’s paintings and objects became fully interdependent. Each work tests how much of an image can be removed while its psychological charge persists.

Photography courtesy the artist and gallery.