Exhibition

a listless witness

ASHES/ASHES, New York

April 5 – May 12, 2019

Installation views

Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view

Works

Jaundice Sky

2019

Acrylic on canvas in artist’s frame

19 × 23.5 in.

Jaundice Sky, 2019
Jaundice Sky

sentinels3

2019

Polyurethane resin, pigment, and acrylic on canvas

72 × 48 in.

sentinels3, 2019
sentinels3
sentinels3, detail
Detail

sentinels4

2019

Polyurethane resin, pigment, and acrylic on canvas

72 × 48 in.

sentinels4, 2019
sentinels4
sentinels4, detail
Detail

sentinels2

2019

Polyurethane resin, pigment, and acrylic on canvas

72 × 48 in.

sentinels2, 2019
sentinels2
sentinels2, detail
Detail

sentinels5

2019

Polyurethane resin, pigment, and acrylic on canvas

72 × 48 in.

sentinels5, 2019
sentinels5
sentinels5, detail
Detail

aging15

2018

Polyurethane resin, acrylic, and Venetian plaster on canvas

42.5 × 32.75 in.

aging15, 2018
aging15

aging14

2018

Polyurethane resin, acrylic, and Venetian plaster on canvas

42.5 × 32.75 in.

aging14, 2018
aging14

Frostbitten Elder Troll

2019

Mixed media and polycaprolactone, synthetic hair, semi-precious stones, moss

42.5 × 18 × 32 in.

Frostbitten Elder Troll, 2019
Frostbitten Elder Troll
Frostbitten Elder Troll, detail
Detail
Frostbitten Elder Troll, detail
Detail

a listless witness centers on memory, mortality, and the unstable position of the observer. The exhibition holds the future and the past in tension: each work appears to register what has already happened while remaining alert to what has not yet arrived.

The poured surfaces of the sentinels paintings form disorienting, face-like presences that seem to look back at the viewer. The ongoing aging series treats portraiture as an accumulation rather than a likeness, producing autoportraits in which identity is built through material change, damage, and duration.

Across the exhibition, witnessing is neither neutral nor complete. To look is to occupy time, to confront the limits of recognition, and to become implicated in the changing forms through which a life is remembered.

Original exhibition text by Lara Konrad. Photography copyright and courtesy of the artist and ASHES/ASHES.